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Film Music

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Saved by Ian Stephens
on October 13, 2009 at 1:43:08 pm
 

Traditionally, films as they have come to be structured employ musical pieces, collected as a film score, to accompany and enhance the visual components of the film. This score is traditionally non-diegetic (meaning that it is meant to be outside of the film's reality, rather than a part of it), and it is from this interaction between the elements of mise-en-scene and music that vital cinematic energy can be produced.  

 

History

 

In talking about the origins of musical accompaniment and films, Paul Chihbara notes that, "Movie music was not born in the movie theatres, but in the worlds of opera, musical theater, and vaudeville" (americancomposers).  While the idea of music underscoring and accenting events was lifted from these other performative mediums, film music had a much more essential function in the era of silent film: to provide nearly all of the sound experienced while watching the film.  It also, as Chibara practically observes, "was a necessary mask" for the noisy projectors of the time.  When diegetic film sound became an integral part of cinema, the relationship between film music and the images and sounds of the events on screen allowed for more nuanced and conscious interplay to unfold.

 

Context

 

 

In Jean Cocteau's masterful adaptation of Beauty and the Beast (La Belle et la Bete in its original French), the film's score acts to enhance and complete the already-alluring elements of its mise-en-scene.  

 

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